This girl’s got sass. G. Camp (2002), “Les Berbères. Mémoire et identité”, Editions Errance, Paris

This girl’s got sass.

G. Camp (2002), “Les Berbères. Mémoire et identité”, Editions Errance, Paris

Moroccan Jewish tin smiths, c. 1940s.

Moroccan Jewish tin smiths, c. 1940s.

Woman from the Ait Merghad tribe of l’Imdghas.  

Woman from the Ait Merghad tribe of l’Imdghas.

 

J.Robichez (1946), “Maroc Central”, Editions B. Arthaud, Grenoble-Paris.

J.Robichez (1946), “Maroc Central”, Editions B. Arthaud, Grenoble-Paris.

Ait Hadiddou girl, c. 1930s/40s, from a series of images uploaded by the ‘Tiwizi Association Berbero Suisse’ that have been scanned from J. Robichez (1946), “Central Morocco,” Editions B. Arthaud, Grenoble-Paris.

Ait Hadiddou girl, c. 1930s/40s, from a series of images uploaded by the ‘Tiwizi Association Berbero Suisse’ that have been scanned from J. Robichez (1946), “Central Morocco,” Editions B. Arthaud, Grenoble-Paris.

Kelaât M’Gouna, Morocco.

Kelaât M’Gouna, Morocco.

Moroccan calligrapher, Noureddine Daifallah.

Moroccan calligrapher, Noureddine Daifallah.

Fatna Gbouri

Fatna Gbouri

The Jewish Woman of Algiers, Charles-Henri-Joseph Cordier  (1862). Medium: Algerian onyx-marble, bronze, gilt bronze, enamel, amethyst eyes; white marble socle. 

The Jewish Woman of Algiers,

Charles-Henri-Joseph Cordier  (1862).

Medium: Algerian onyx-marble, bronze, gilt bronze, enamel, amethyst eyes; white marble socle. 

Moroccan painter and writer, Mohammed Mrabet.